Teardrop: Chapter 2

Eureka arrives back at her car which is this really nice Jeep Cherokee she named Magda.

It was too new and too red to suit Eureka. With the windows rolled up, you couldn’t hear anything outside, and this made Eureka imagine she was driving a tomb.

Isn’t… not hearing anything outside the whole point of having the windows rolled up? And just because it’s silent doesn’t mean you’re in a fucking tomb. You could also be driving a live yoga session and it’d be just as quiet.

She used to be super punk DJ, but since the death, we have to be told once again that all color has drained from her once oh so perfect life. She continues to mope because she can’t imagine playing guitar without her mom either.


She wants to seek vengeance on the wave, which is pretty stupid. You can’t seek vengeance on an inanimate object. It’s not going to feel pain or guilt or whatever for whatever it did which defeats the whole purpose of seeking vengeance.


As she drives, she starts moping so much about how much her life fucking sucks with all the pitying and no mother life that she actually can’t breathe. She stops at an intersection and studies her arm so that you can get a glimpse of her cut arm just for even more fucking pity points – except some dude crashes her from behind.

She sees Mister Sexy (presumbably Ander) yells at him to help her and then proceeds to get super pissed at him for hitting her car.

Did you even try to stop?”

“I didn’t see—”

“Didn’t see the large red car directly in front of you?”

Excuses never got so lame.

“What do I expect?” She approached the boy. “I expect to be able to get in a car without having my life threatened. I expect the people on the road around me to have some rudimentary sense of traffic laws. I expect the dude who rear-ends me not to act so smug.”

Wow…. Bitch alert… You know girl, the world doesn’t revolve around you. Had this been any other jock, they would’ve smacked you until you cried and then drove off without another word, because what the fuck, this boy was not smug at all, you stopped in the middle of the fucking road at an intersection (you weren’t even pulled over), and don’t you want to die? What. An. Asshole.

“But I guess I expected too much. Your dumb ass doesn’t even have insurance.”


The boy just grins like a creepy idiot and tells her everything’ll be OK. Eureka tries to call her parents and neither dad nor step-mom pick up. She almost cries, the sky rumbles ominously and the boy grabs her tear before it rolls down her cheek.

1. Creepy.

2. Not subtle foreshadowing at all.

Review: Catch Me When I Fall

Catch Me When I Fall
Catch Me When I Fall by Vicki Leigh

My rating: 2 of 5 stars

I received an ARC of this book via Net Galley in return for an honest review

This book was a solid read. The writing, overall, was pretty good (with a couple exceptions I’ll mention later). The storyline was interesting. The concept was pretty cool. However, this book failed to take in a few very important elements, which causes the entire story to self implode on itself logic-wise.

One of the biggest issues? It’s worldbuilding.

1. Buggers, I should be 200 years in age!
I’m going to say right now, the biggest problem with this book isn’t even the rather quick and badly done insta-love, but the fact that these Catchers are 200 years old and have experienced multiple lifetimes through other people, yet still act like they’re goddamn immature teenagers. If there’s one thing that’s most wrong about this book, that would be it.

I would have understood slightly more it if their brains stayed in a biologically underdeveloped stage, but 1. the author never states that and from the idea of being not physically alive, I don’t think brain development really is all that important anymore and 2. that still gives no excuse to acting and talking like a teenager and unnecessary insta-love that could only happen to an inexperienced teenager. Fuck, they all act like teenagers. I would never want the fate of my dreams to be rested in the hands of a bunch of immortal not-quite-dead teenagers.

2. Insta-Love!
That being said, the insta-love was awful and probably just one of the many “typical YA” features that appear in this book. Others include Mary Sue characters (though, thankfully, they aren’t as blatantly bad in this book as compared to most others. They do still exist in this book, unfortunately.)

3. Flawed worldbuilding
The worldbuilding in this book is flawed. There’s nothing to be said about that. When every person in the world has a dreamcatcher and a weaver plus the catchers have understudies, that’s a shitload of people who need to sacrifice themselves. In fact, that’s saying that at least 2/3 of the human population would have to have sacrificed themselves to others, which obviously isn’t the case.

Not only so, we have Catchers killed off left and right and other than the typical, “Oh, so-and-so died, I’m so sad.” there’s nothing else. No “fuck, we’re going to have a shortage of catchers.” or “who’s going to catch [person’s] dreams now?”

Apparently Daniel’s the best fighter they’ve got, so I’m assuming that most of the people before him are dead. So, where are the abundance of Catchers coming from?

The Catcher idea was cool, but once the Magus got introduced, I was a little eh about the worldbuilding. The Magus aren’t portrayed enough and they make Catchers look like weak little shits. Kayla is super OP even though “I can’t control my magic! I’m going to kill someone!”. We’re not quite informed of the mechanics behind Magus and their magic other than that one very short and skimpy lesson which we learn about nothing.

4. Fight Scenes
The writing was good. Until the fight scenes.

I’ll admit, as someone who does creative writing in my free time, writing a good fight scene is hard and some authors just aren’t good at it. The fight scenes in this book weren’t necessarily complete pieces of shit – they were decent reads – but after the first few, the rest all sound almost the same. Daniel hits this Nightmare, dodges the other, throws a knife and then gets hit. Curses in pain but continues to fight. Etc. Etc. Etc.

Not good enough.

This book is not awful. But I can’t forgive it’s gaping flaws in worldbuilding. I actually would recommend this book. It’s a decent read. Just, not the type of book I would ever read and then obsess over for the next 6 months and be warned of it’s plot holes.

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Teardrop: Chapter 1

We start with Eureka sitting, massaging her bad ear, which she hurt in the wave. She’s in a waiting room with an empty but really really loud fish tank. She’s at the therapist’s, which her dad made her go to so that she would be able to get over her mom’s death. Except all of the therapists somehow just suck.

Sometimes I really worry. Why are psychiatrists always portrayed as stupid dumb butts who never actually understand the angsty teenager’s problems?

Eureka noted her new therapist’s taupe leather slip-ons. She’d sat on the couch across from many similar pairs of shoes. Female doctors did this little trick: they slipped off their flats at the beginning of a session, slid their feet back into them to signal the end. They all must have read the same dull article about the Shoe Method being gentler on the patient than simply saying time was up.

I… don’t know how to react to that… Ew? Stinky feet?

After a very detailed description her therapist taking off her shoes (maroon toenails, if you cared to know), we find out that the therapist’s name is Landry. Really. I swear, did Ms. Kate just look up, see a laundry basket and then go “oh goody, a name!”.

Landry tries to initiate conversation, but all Eureka wants to do is escape reality.

But Landry looked sensible, interested in the reality from which Eureka yearned to escape.

Uhhh…. girl, just because she looks sensible doesn’t mean she is sensible.

Apparently she’s missing a cross country meet for this. She also recently tried to kill herself. And ended up surviving and thrown in a psychiatric ward with a schizo and emo Asians. What’s awful though, is that it’s described at if “oh poor little Eureka going through all that horror!” but fuck, bitch, you just tried to kill yourself. You’re just as bad as the emo Asian boy. You need to stop thinking you’re normal and then also try to kill yourself.

She’s all upset because the place was really far and also her hometown, which would make her unable to attend her cross country meet and it was a really important meet. But, she’s the one driving to this place. Why couldn’t she just skip the appointment? If the meet is that important, skip the fucking appointment.

The meet’s importation because ever since her mother’s death, she’s been doing awful and this was her last chance to redeem herself.

Landry asks a bunch of questions that Eureka thinks the answer too, but doesn’t say anything. She spends to whole time moping about good times with her dead mother and how much life sucks now because she’s dead. And she still wants to kill herself.

I can tell, this book is going to be a blast.

Eureka just wants pills. Landry says that’s not going to help her problem. Eureka storms out pissed.

Girl, why didn’t you just skip the entire appointment? Stupid stupid stupid.

Review: Puppet

Puppet by Pauline C. Harris

My rating: 1 of 5 stars

I received an ARC of this book via Net Galley in exchange for an honest review.

Honestly, I feel awful for giving this book such a low rating because I could really tell that the author was trying so hard to write a good book, but the unfortunate truth is, this book is not a good book and I would not recommend it to anyone.

1. Not Pinocchio related.
The most glaring issue here was that I walked into the book with the misconception that this would be a clever Pinocchio re-telling that Cinder was of Cinderella. Unfortunately, it seems that only actual relationship between the two stories shrinks down to two minimal facts – 1. the book contains marionettes and 2. the MC of the book, Pen, wants to become “real” (which isn’t all that related because other than having superpower abilities, Pen isn’t actually any less “real” than anyone else, she’s just different).

Not only so, the whole book seemed to have completely missed the moral of the story for Pinocchio – to be a responsible kid – which just made them even less related to each other.

This story is NOT a Pinocchio retelling. It’s a book about the future and marionettes.

2. Awful Characters
One of the biggest problems with this book that it’s characters are pretty awful. Most specifically Pen. Even after finishing the book, I still had no clue what kind of person she is and whether she would be the type of person I would like to be friends with or not.

She’s randomly sarcastic at times, randomly mopey at times. Sometimes she acts like a 12 year old, sometimes a 22 year old. There were many times where I had to remind myself that, oh right, this kid is suppose to be my age. And then I wonder if anyone I knew or just anyone in general would act like this. Realistically saying, probably not.

In fact, she feels just like an emotionless robot the way she narrates everything.

The sad fact is that the secondary characters have more of a defining personality than Pen does. At least we know that James is that “normal” teenage kid. Jed is the over obsessed scientist. Eledin is the typical evil guy. While none of these are very well created original characters, they fare better than Pen. At least I know I would like to be friends with James and probably stay away from Eledin.

I don’t even know what to say about Pen.

3. The prose.
Is no good.

Honestly, there’s way too much telling rather than showing. Multiple times we’re told that Pen was trying to be sarcastic. Rather, it would have been many times better if we were just told “I smirked” or “I sneered”, both which portray sarcasm perfectly.

The plotline was not paced out very well either. The story was slow in the beginning and it almost was as if the author got really tired towards the end and just tossed the ending out in one sitting. It’s too much to ask the reader to be able to swallow the whole plot twist in such a short amount of time, especially when the book just ends less than 30 pages after with not enough explanation. Instead of going “oh shit”, I went “what the fuck?” and then rage quitted for a day.

There was no character development and the romance was probably thrown in there because typical YA.

And, it was totally insta-love.

The author really tried with this book, but it just really is not good. This would be a nice example of a book that should have gotten a few more beta readers.

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Review: Go Ask Alice

Go Ask Alice
Go Ask Alice by Beatrice Sparks

My rating: 1 of 5 stars

Is it bad that this book has made me want to do drugs just to prove that the main character of the story is just a hopeless idiot rather than prevent me from doing drugs?

God, this book was god awful.

If you go back to the book and stop at any point and think for a moment, you’ll realize that no actual living teenager would write 90% of the contents in this book in a diary. No teenager would run away from home, think “hmmm, I should write shit down”, write it down on fucking brown paper bags and then bring it home.

Just. No.

You know that message at the beginning of the book that tells you that this was taken from a real diary? Well, that’s a piece of bullshit.

You know why the fuck we aren’t allowed to do drugs? Because drugs fucking screw over the brain and we don’t want half the population of the country to be a bunch of flaming retards who got their brains destroyed by smoking. It would also be hella dangerous if half the population of the country was high more than 90% of the time.



If you want a good no drug book, don’t go for this one.

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Teardrop: Prologue

Ah, tis time for a new book! The cover of this book proves to be gorgeous. The insides, not so much.


We start out with a sunset against the Seven Mile Bridge. There’s a boy sitting in a stolen fishing boot a hundred yards away from the bridge. There are construction workers on the bridge and both the workers and the boy are so called “Seedbearers”. They’re about to kill “the girl and the mother”.

But, of course, the boy (who’s name is Ander) is in wuv with the girl.

Ander had a choice: fulfill his obligations to his family, or–


The choice was simpler than that:

Save the world, or save the girl.


The plan for killing the girl is to created a huge wave that washes them off the bridge.

They could even get away with it. No one could prosecute a crime he didn’t know had been committed.

No shit. What, we’re gonna start prosecuting people because a tsunami hit wherever?

So it turns out these Seedbearers are manipulators of the wind, which in turn, they were going to use to push up a huge wave to wash the car away. Wouldn’t it be simpler… if they just created a tornado? Or something more wind related? Or stab the girl with a knife? Or just something more straightforward than huge tsunami wave which seems to described as rather complicated?

For months they had spoken only of their certainty that the right wind under the right water would be powerful enough to kill the right girl.

Shouldn’t it be the right water under the right wind? Also, when you say kill the right girl, does that mean this girl is in particularly hard to kill? Yes? No? Maybe?

Turns out Ander had to stalk the girl… because that’ll help shit with killing her? Maybe for a week just to figure out when they’ll come down the bridge, but 24/7? Honestly? In any case, he knows everything about this girl, is deeply infatuated with her because she’s just so perfect and thus comes to the conclusion that he’s in wuv with her. Creepy.

He muses for two whole pages about whether he should save her. He’s misunderstood in his family like any typical teenager. His aunt thinks he wants a normal life. Who would’ve know he fell in love with the girl he was suppose to stalk 24/7? Don’t these people have some brains? You’re sending out an imbalanced teenager who probably wants a fuck more than he wants to save the world. It never crossed anyone’s mind that he might grow attached to her? Seriously?

There’s some not too subtle hinting at the fact that this girl comes from something before “the flood”. Probably the flood associated with Noah’s ark.

In any case, the wave crashes down, it’s perfect, everything goes as planned but Ander goes for girl. He can’t save mother as well. Boo hoo.

The girl’s name is Eureka. God this name is awful.

Review: Makeshift Miracle Book 2: The Boy Who Stole Everything

Makeshift Miracle Book 2: The Boy Who Stole Everything
Makeshift Miracle Book 2: The Boy Who Stole Everything by Jim Zub
My rating: 2 of 5 stars

I received an ARC copy of this book from Net Galley in return for an honest review.

This book annoyed me. The story was awfully rushed and the art was no up to par with the last book. The idea was good and I liked it. The whole concept of having a dream world parallel to the real world is pretty cool. On the other hand, the story was horribly rushed, there was no plot development or character development. The ending kind of just happened and it was way too rushed.

This is one of those concepts that would work pretty well over a lot more chapters than just 12 or 13. The narration is also pretty awful, the action scenes are awkward. At many times, things just happen and there’s no transition.

Not the best book I’ve ever read.

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Review: Graceling

Graceling by Kristin Cashore

My rating: 1 of 5 stars


Contains Spoilers

Rated R for minor cussing due to pent up rage.

I’ll admit, the only thing that kept me reading past chapter 3 was Reading With a Vengence’s Chapter Snarks on this book. This book is absolutely horrid. There are so many things wrong with it, I don’t even know where to start.

1. Mary Sue Characters.

Yes, both main characters are Mary Sues. Kasta is a Sue, Po is a Sue.


Let’s start off with the fact that Kasta’s grace is the most OP grace you could ever have. It was already extremely strong when it was just simply killing, because somehow, she can manage to perfectly knock out many guards yet also not leave them with any brain damage (be warned, if you go unconscious, it’s usually because your brain has suffered enough trauma that it shuts down consciousness). She’s also completely invincible in a fight. Po can’t even harm her. It’s like she’s got leather skin or something.

And then, you know, all of a sudden, lol, jk! Actually Kasta’s grace is survival! And since in order to live life, you must survive, basically her grace is just living life! So she’s also part god-like then, since she’s basically invincible! And we should totally be ok with this!

Yeah, no. What kind of bullshit is that?

Not only is Kasta’s grace super OP, she doesn’t actually have any real flaws. Either that, or her flaws are minimized in such a way that the reader doesn’t find it to be a flaw.

Supposedly Kasta has anger management issues and she also doesn’t have any friends until Po. But Kasta never actually loses her anger in the book, you’re just told that she has. The only times Kasta seems to lose her anger are when she punches Po, which can’t count really, because she was expecting him to fight back, and when she kills Leck whilst her mind is a befuddled mess, which really can’t count either because she wasn’t even in control of herself, how could she manage her anger? Plus, even if you did count them, you only have 2 examples out of an entire book where she could have gotten angry and lost it.

She’s managing her anger quite well I think.

What bothers me even more is that Kasta is constantly thinking “Oh! I don’t have any friends! Poor me!” But then who da fuck is Raffin? Or Oll and Giddon? Are they just business partners then? Because they certainly don’t seem like it. If you’re so socially awkward, how the fuck did you start up a whole secret organization targeted towards helping people? Leaders don’t just become leaders just because. Being socially incapable of making friends is a big setback to becoming a proper leader. It doesn’t seem like she’s having any trouble leading though.

Next Sue trait – everything she does is right because her actions bring no consequences upon herself. And even if they do, she couldn’t give a shit about them because she’s OMFG INVINCIBLE. (Unless it moved on the plot. And then Kasta gives all the shit about it.) Like the horse part? I think plenty of people have addressed this problem, but I’ll say it once more, you can’t ride a horse like that, because if you do, you’ll either cripple it or fucking kill it.

But, you know, fuck that. She’s Kasta. So naturally, it’s the horse’s fault for being unable to gallop at super speed all the time. And all people are going to do it shake their heads at her.

It’s fine to just tear off a silk dress and burn it because you fucking hate dresses even though it would have totally been reused for the poor out there and thus make you not act like a selfish bitch. It’s also just ok to steal eggs, because poor starving Bitterblue wants them, even though, down the street is a council affiliated shop that will hand over all the food that you can eat just because you’re Kasta, and the girl that you stole the eggs from probably also needed them too.

That logic. It doesn’t make a single ounce of sense.

Kasta acts like she doesn’t care about her looks, yet she worries all the fucking time about how she looks. If she really hated her hair that much, why couldn’t she just pull a Mulan and crop it off with a sword? But no, Giddon’s gonna laugh at me, so I can’t do that. Po’s gonna think I’m hideous so I can’t do that. They’re gonna think I look weird at the court so I can’t do that. RANNE’S GONNA GLARE AT ME! -gasp- -dies-

Oh fuck that shit, you think you’re already hideous (even though of course, you’ve got those lovely green and blue eyes, instead of the squash yellow and brown eyes and lovely handsome Po, with his gold and silver eyes is completely infatuated with you) so ugly hair wouldn’t make a difference anyway.

The only true flaw is that Kasta has not a single ounce of normal logic in her brain, which probably is a flaw that wasn’t even done on purpose. If she had some common sense, she would have realized that Randa had zero power over her. She literally could kill him any time. But fuck that because “OMG, HIS DISAPPROVING GLARE! I’M GOING TO DIE!”.

Yes, please. I would like to see you die by glare Kasta.

If she had any more sense, she’d understand that you can’t toss a shitload of fish into a basket and expect them to live as long as you feed them. Or that you can’t expect a ship to just wander out at sea for an endless time period just because.

There are so many more things wrong about Kasta, but let’s move on to Po.


First off, I can’t take his name seriously. First time, when I saw the name Po, I thought of the red teletubby. And then Po from Kung Fu Panda. The fact that he’s named after a tree with gold and silver leaves doesn’t make it better. One, that kind of tree doesn’t actually exist, which meant Cashore had to make up the name for the tree and thus, it’s still her fault for the shitty name. Two, what, naming people after trees is a thing now? Oh, Oak, son, go clean your room! And Cottonwood, my daughter, have you brushed your hair yet? Hemlock, honey go wash the dishes! Alder, dear, you need to do your homework!

Ha, no.

The fact that his real name is Greening Grandemalion just made it worse, because not only can I not take him seriously as a character anymore, I can’t take King Ror seriously anymore for being the father of a child of such name and I can’t take Cashore seriously anymore for finding it ok to name her main character a fucking shitslop name that lacks in taste on all aspects of the name spectrum.

No, it does not sound pompous. It sounds hideously stupid.

I understand that the whole Greening Grandemalion thing is suppose to be a funny joke. Like “Oh my, what a ridiculous name!” But jokes like this need to have at least a realistic base. It is true that there is an Indian name, Shithead, pronounced shi-theed. If that had been put into a book, prompted with the right context, then there, that would have been the perfect, hilarious joke.

Greening Grandemalion is just so unrealistic in name and in the sense of someone naming their child that, that my first reaction was not “Oh, that’s unfortunately funny.” but, “Seriously? You named your character that?”

But enough with names.

Po is a Mary Sue (or a Gary Stu, as the male counterpart) for many of the same reasons of Kasta. His grace is OP to the extreme. Somehow, he can avoid Leck’s mind manipulation even though there is no clear explanation as to how Po’s seemingly unrelated grace of sensing people can overcome brain fogging and befuddlement.

Because… reasons.

Nothing ever happens to Po. He cries because “OMG. MY LIFE SUCKS BECAUSE PEOPLE WILL USE ME IF THEY KNOW I CAN SENSE THEM!”. He reads Kasta’s mind and it’s fucking creepy, and the fact that he’s responding to her thoughts, doesn’t make it any better.

He’s a selfish bum, because he has a whole castle (which is stupidly built on rocks, anyone can tell you that’s a dumb idea) and a portion of the kingdom he could rule, but fuck that, I’m wanna live my life staring at pretty scenes, which to be honest, isn’t much better than living a life of luxury. The only difference being that the first one, you’re staring at sparkly waterfalls, the second one, you’re staring at sparkly metals. Neither one makes a good ruler.

So who’s dealing with all the shit that happens over at his castle while he’s away staring at his sparkling waterfalls?

God know how that place hasn’t plunged into chaos yet.

Of course, you might say, “Well, he went blind!”. Yet, well fuck that, because remember, he can also now just sense EVERYTHING. It’s like losing your sight to gain super sensory vision that lacks only in colors, which you’ve seen before, so you could totally just add in your mind. Not to mention, it seems that Po’s super sensory vision is a lot stronger than normal vision.

So no, Po didn’t really lose anything at all.

(Also, you can’t just decide to make your character go blind just because. There’s a whole science behind it with brain injuries and shit. Po’s blindness is just all wrong the way he describes it.)

2. Shitty World Building

I’m going to re-direct you to Rhea’s review of Graceling for this one because she does a full analysis of the world building in Graceling better than I ever would.

But to sum it up for those who don’t want to read another whole review on top of this shit long one (even though I highly recommend that you do), basically, Cashore’s world lacks sophistication. Everything is too black and white, either you’re good or you’re bad. All the kings do everything and also, all the kings are supposedly corrupted evil people, except Leck at first, Ror and kinda Randa. I’m surprised this world hasn’t self imploded from political instability.

There is no backstory or anything for how the Graced came to be. If there had been some reason for Kasta’s OP power, it would have made it more acceptable. But instead, you have nothing. Just, there were 7 kingdoms and people are graced.

3. Horrible Prose

I will admit. I read Graceling right after a John Green spree. Some of you might be like “Ewwww John Green!” (or the opposite I suppose). But whether you’re a John Green fan or not, you have to admit that John Green’s books’ readability are so much higher than Graceling.

I can’t give specific examples because the book has long been returned to my library because keeping it any longer would run the risk of me throwing it into a fire of eternal hell, but when you start seeing every other sentence starting in “for” (and actually are not complete sentences) something is wrong.

Cashore’s writing is stiff. There’s no flow. She’s trying to sound formal and medieval but it’s not working. Her descriptions are flat and dialogue mediocre at best. Bitterblue talks like a full grown adult in a child’s body. If I had simply looked at the dialogue, I would have thought that she was much older than a child.

Big fancy metaphors aren’t required for good prose.Marissa Meyer, author of Cinder, does a good job of keeping the descriptions concise, but also clear. No fancy metaphors that contribute nothing to the image. If I flip through Cinder, I’ll find more dialogue than description, yet I still have a very clear image of what the world looks like.

The biggest problem with Cashore’s writing, is that she tells way more than she shows. There is a massive info dump in the first couple chapters. You’re also told half of Kasta’s backstory, rather than shown. You’re told this happens and that happens, but nothing is shown so it’s impossible to be emotionally attached to anything.

Just like how you’re told Kasta had anger management issues, but you never see it in action.

Seeing is believing.

4. Most Fucking Idiotic Names ever.

Rhea’s review goes over this a little. Either way, I must rant about these names, because they suck. You could literally ask a 6 year old to regurgitate gibberish and you’d get better names.

So, what’s so wrong about these names?

Well, some of them are acceptable, like Raffin, and Oll. Giddon is alright (though it seems more like the problem child of Gideon and Giddy). But some (like fucking Greening Grandemalion) I just cannot take seriously.

First off, anyone notice the similarities between Kristin Cashore and Kasta? (Same thing can be said of Clary and Cassandra Clare.) Explains 99% of why Kasta is so OP – she’s the author’s book personality, of course she has to be god-like.

Po’s name is even worse. I won’t say anymore, because I’ve ranted enough about his name.

Bitterblue. Seriously? Is this like some lame ripoff of Jay Z and Beyonce’s little Blue Ivy Carter? Because it seriously sounds like one. Also, what’s up with naming people colors? First Greening and now Bitterblue?

The kingdoms are supposed “clever” alterations of the four directions. Rather, I find them to be stupid sounding. You could have said “The Northern Kingdom” and it would have gotten the same message across – “This kingdom is in the fucking north.” – and sound 10 times more legit.

Thigpen? Ror? Leck? Seriously? Could you not name these kings names that sound like they were pulled directly from medieval comedies featuring fat clueless kings that know about nothing but drinking and eating?

Randa city. Alright, we’re name cities after kings now? Nice way to shortcut your way out of making even worse names for them, but the general rule of thumb is that, no king is pompous enough to name the capital city after themselves. Generally known to cause revolts. Of course, just generally.

5. Absolutely terrible ideas and plot holes.

Question: How da fuck are there massive predators up so high in the mountains where nothing small seems to even survive so there’s nothing to hunt and eat? And where is the firewood coming from?

Also, let me mention that no matter how graced you are, you can’t just run through masses of snow basically naked and not get frostbite or die.

Other problems I’ve noticed:

No government, president or king can be happy if a whole secret political society formed right beneath their noses without their knowledge no matter how good the cause is. You’re undermining their power and no one likes to be undermined.

Countries don’t just settle things in other countries! You can’t just send military forces to another country to settle a revolt that happening in THEIR country just because it’s a revolt. Just. NO.

This is medieval times, no matter how rampantly notorious or popular you are, not everyone is just going to automatically recognize you because of your famous colored eyes. News doesn’t spread like that.

Why, just why, did no one ask Kasta anything when she kills that man? It’s completely illogical. Oh yeah, that child killed a man because she definitely was not being sexually harassed and we won’t even bother to ask about it. You could say it was a court full of inconsiderate jerks, but no one was curious enough to find out? Impossible.

You can’t just shoot arrows in the dark at a target and expect to hit them. That’s a huge undermining of archery. That’s like saying you can kill a whole army blindfolded. That’s a huge undermining of the army. You just can’t. No matter how graced you are. (Plus, being super good at archery is no requirement for surviving, so I don’t see why Katsa’s grace is making her so good at it.)

Rings = Lienid land? Why haven’t more people tried to steal these rings?

Kasta’s whole rant about how marrying will make her belong to someone is completely invalid and only makes her sound like a whiney bitch. First off, marriage does not equal a life of “imprisonment in a castle”. Getting married does not mean you have to be the fucking head of the house. God no. I wouldn’t even want someone as irresponsible as you as head of the house. Getting married is not a restriction.

Oh, and she can’t bear the idea of babies sucking at her boobs. The horror!

Please. Someone. Shoot me now.

I won’t even bother to talk about Po and Kasta’s relationship because that would just take me on a whole other 1000 word rampage.

So in conclusion, I hate this book. Thank you all for lasting till the end of this rant. Would I recommend it? Hell no. But you can go ahead and read it anyways because somehow, it manages to maintain a 4.11 rating, which I find completely absurd.

And maybe you’ll love it, which will be quite unfortunate.

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Review: Eon: Dragoneye Reborn

Eon: Dragoneye Reborn
Eon: Dragoneye Reborn by Alison Goodman

My rating: 2 of 5 stars

A good idea ruined in execution. It’s really a shame.

Rarely do you pick up a book that based so much on ancient Asian culture, but Goodman’s writing is so god awful and her characters are so irksome, this was almost a DNF.

1. Annoying characters
Probably one of the biggest problems with this book is that it wastes half of it’s words describe its lovely main character, Eon(a), moping around about how much she sucks as a human being and how much she totally doesn’t deserve this life, but also if she didn’t live this life, she’d have to work as a salt laborer or something similar so she’ll just have to deal with this life.

Goddamn, if you think something’s wrong with your life then so something about it. DON’T JUST SIT ABOUT AND MOPE.

In any case, I was also awfully repulsed by the fact that Ido thought it would be ok to rape a girl, who at least to his knowledge, was probably 12 and prepubescent. I don’t think that’s a want for power anymore, that’s just being a pedophile. (Also, not only did he want to rape her, it was like he was completely infatuated with her.)

Everyone else in this book felt like a sadistic ass and honestly, I hate everyone in this book. Except for the weird cross dresser ladyman. Whatever her name was (not Eon(a)).

2. Those Fucking Names
Ok. I understand the whole thing with Asian names being hard to translate because they’re usually named after objects in Asian culture and that just kind of sounds stupid in English, but as least TRY to make them sound more normal. Was there any reason to name a gate like… concubine gate?

I’m Asian and I’m still awfully annoyed by these shitty names.

Also, couldn’t you at least shorten the names of the stances so that they’re not such a mouthful? Wouldn’t someone have noticed that by now?

3. God awful prose
There is so much fucking padding in this book, I almost put it down because it was so slow. The amount of padding makes me want to shoot myself. The book doesn’t even pick up pace until the last 50 pages. Not only so, Goodman writes in such a roundabout way, it’s just absolutely awful. There’s no flow, no plot. None of the characters are likeable. Wtf?

“Ever since my body had first betrayed us six months ago, my master had kept a supply of soft cloths and sea sponges locked away, in his library. Safe from prying eyes.”

Modern Translation: Ever since I got my period, my master started hiding pads and tampons in his library to make sure no one would see them.

TMI and honestly, I don’t give a crap.

4. Fucking Woman Script


The end picked up a little. Everything else sucked. If you’re willing to plow through a couple hundred pages for a mediocre ending, this is the book for you.

On a side note, it seems that the second book is better than the first one, so maybe, just maybe, I’ll give it a try.

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Review: The Fifth Vertex

The Fifth Vertex
The Fifth Vertex by Kevin Hoffman

My rating: 3 of 5 stars

I recieved an ARC copy of this book from Net Galley in return for an honest review.

This book was a solid read. The characters were solid (almost). The writing was solid. The worldbuilding was solid. There really was nothing that stood out to me (almost) as gaping flaws and holes.

But, it is because of this solidness that also makes the story somewhat bland. There isn’t in particular, anything that makes this story really stand out from any other typical fantasy story. The bending of time space is interesting, but not quite enough.

1. Borderline Mary Sue
The problem I have with these characters, especially Urus and Cailix, are that they’re very borderline Mary-Sue. Admittedly, both characters are very OP. There’s nothing to hide about that. They’re suppose to be really strong, that was how they were and Hoffman does a pretty good job of balancing the OP out with flaws.

For example, Urus is deaf. Neither really know how to use their power, though Cailix seems a little OP in the sense that she just magically “knows” how to use her magic. Even more annoying though is when she thinks of how Anderis actually knows so little. Either she’s being stupid or he really is stupid. Either way, it rubs off in the wrong way.

Both Urus and Cailix learn their magic a little too easily and it bothers me. They’re both praised for learning something anyone else would need years or months in a matter of minutes. Now that, is very Mary Sue.

It’s dangerous writing powerful characters and these are really dangling at the edge of Suedom.

2. Bland World Building
First off, I want to say that the world building was good. Everything made sense, nothing was particularly info dumped. I was told what I wanted to know. It was satisfying. What I didn’t like about this world, was that it felt a little too generic.

In a sense, you might want to argue that there are blood mages and magical people who can warp time space, but stop and think about it. Blood mages are almost literally vampires who don’t drink blood but use it to power themselves. There’s nothing like a sigilord, admittedly, but at the same time, the basic plot of the book surrounds to idea of evil wanting power and trying to gain it back by breaking a sealed whatever. Sounds pretty generic.

Nothing against generic, but a bit more originality might have helped. What’s wrong is that nothing in this book is in particularly memorable. I’m not in love with any of it.

Frankly put, it lacks a whimsical aspect.

Would I recommend this book to other people? Yes. It’s a good read. Is it good enough that I’ll want to buy and own a copy? Probably not.

I’m definitely curious about this and will probably look into future installments of the series.

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